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• 18 May ' 22:18

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• 18 May ' 17:04

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• 18 May ' 11:41

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• 18 May ' 06:24

  

  Cannes 2013: Tough acts to follow

  Geoff Andrew sees A Separation’s Asghar Farhadi lose his feet in Paris – and Alain Guiraudie find his in Provence.

  Saturday, May 18, 2013

  

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• 18 May ' 00:44

  

  Film of the week: The Great Gatsby

  Finally, Leo smiles again! And brings layers of resonance to lurid Baz Luhrmann’s madcap assault on Scott Fitzgerald’s glittering prize, says Nick Pinkerton.

  

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• 17 May ' 18:30

  Film of the week: The Stoker

  This black, brooding portrait of an ethnic Yakut furnace-feeder in lawless 90s Russia richly reconciles Aleksey Balabanov’s grimmer films and his weirder ones, writes Michael Brooke.

  

  Cannes 2013: Character, action, morality…

  Nick Roddick on a Sundance winner with a grip on all the above – and Sofia Coppola’s latest.

  

  Cannes 2013: Excess for success

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• 17 May ' 11:12

  

  Film of the week: The Stoker

  This black, brooding portrait of an ethnic Yakut furnace-feeder in lawless 90s Russia richly reconciles Aleksey Balabanov’s grimmer films and his weirder ones, writes Michael Brooke.

  Friday, May 17, 2013

  Film of the week: The Great Gatsby

  Finally, Leo smiles again! And brings layers of resonance to lurid Baz Luhrmann’s madcap assault on Scott Fitzgerald’s glittering prize, says Nick Pinkerton.

  

  Video essay: What is neorealism?

  Kogonada pits the director of The Bicycle Thieves against the producer of Gone with the Wind on the same movie material.

  

  Catherine Bray leaves behind the UK’s current arte povera to visit the bling, yachts and fairy dust at this year’s Cannes.

  

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• 17 May ' 03:57

  Picking up The Stoker

  How Edinburgh’s Filmhouse is expanding cinema – into other cinemas. By Harriet Warman.

  

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• 16 May ' 20:54

  Female film reporter competition: the results

  Nick Bradshaw surveys the entries – and reveals the winners – of our hunt for women film sleuths.

  

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• 16 May ' 13:16

  Picking up The Stoker

  How Edinburgh’s Filmhouse is expanding cinema – into other cinemas. By Harriet Warman.

  

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