CDBaby | Avant Garde

09 Feb ' 07:05

Various Artists

The Frog Peak Collaborations Project

62 composers; 115 pieces. Based on a sound/text by Chris Mann

Avant Garde: Computer Music

Phil Randoy

Who is in Charge

Asking the authors of the bible about world dilemma

Avant Garde: Electronic Avant-Garde

Steven Borowski

Taken Back

Expect the unexpected in this eclectic yet powerful array of music.

Avant Garde: Modern Composition

Phil Randoy

Voice

'Voice' is about your life being run by others opinions.

Phil Randoy

Karma

Creating karma not run by structured principles

Giuliano Ferrari

Blue One (Binaural Beats Music)

Mohsen Namjoo

Alaki

Alaki is a live recording from a performance at the Stanford University in February 2011. Mohsen Namjoo and his ensemble presented a single performance of previously unrecorded material compiled by Mohsen Namjoo.

Alaki is a live recording of a performance at Stanford University in February 2011. Special Thanks to Mammad Zadeh for his input and collaboration in recording and post-production. Special Thanks to Navid for album cover graphic design. The Mohsen Namjoo Ensemble: Ali Bazyar - Percussion, Mark Deutsch - Bazantar, Guitar, Keyavash Nourai - Kamancheh, Cello, Siamack Sanaie - Acoustic Guitar, Rhythm Guidar, Serwah Tabbak - Backing Vocal, Tannaz Jafarian - Backing Vocal, Dina Zarif - Backing Vocal, Shadi Yousefian - Backing Vocal, Mammad Zadeh - Udu, Setar, Daf, Bass, Mohsen Namjoo - Vocals, Setar, Acoustic Guitar A Payam Entertainment Production (c) 2011 Composition & Arrangement - Mohsen Namjoo Live Recording, Sound Engineering & Arrangement - Mammad Zadeh Live Recording Assistant - naser Manesh Produced by: Babak Payami, Mohsen Namjoo, Mammad Zadeh This compilation which is the result of several years of development from my archives, would not have come to fruition without the technical and artistic collaboration of my dear friend Mammad Zadeh. I sincerely hope that this acknowledgement can do justice to the depth of gratitude I hold for this collaboration. Mohsen Namjoo

Ed Harrison

Neotokyo

Mindfold Express

Drawbacks & Benefits

Matthew Schoening

Elements

Celui Ou Y'a Joseph

Various Artists

Whale Music Remixed

Avant Garde: Electro-Acoustic

Avant Garde: Modern Composition

Danny Sher

Loose Nukes

Richard Bliwas

Rising Rose Bakery

Avant Garde: Psychedelia

Albert Ayler, Don Cherry,

New York Eye and Ear Control

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09 Feb ' 01:26

C.A.N.S

The Falcon and the Snow

Avant Garde: Electronic Avant-Garde

Moods: Modern Composition

“Fé” is Gonzalo Rubalcaba’s long awaited solo release on his new independent label 5Passion Productions. Almost 80 minutes of Gonzalo’s new and best performances to date.

FÉ … Faith, the premiere release from Gonzalo Rubalcaba on his newly founded independent 5Passion label, marks an important milestone in the career of one of contemporary music’s most compelling artists. Boasting an imposing discography of more than 25 critically acclaimed albums as a leader (including a dozen choice dates for Blue Note) featuring the virtuoso pianist in the company of some of modern music’s best players, it is Rubalcaba’s distinctive keyboard work that is the consistent hallmark of his prodigious talent. On FÉ … Faith his incomparable sound, pristinely recorded and mastered, comes to the fore in the creation of a truly impressive solo outing. Guided by a long abiding faith in the Creator that has persistently informed his life, Rubalcaba has produced a masterful work that is simultaneously introspective and universal in its expression of his mind, heart and soul. His profound belief “that we are all one, one with each other and one with God regardless of what we call Him or Her” significantly informs his approach to music, which seeks to expunge the divisions between the jazz, classical and popular genres that are essentially the product of ultimately inconsequential labels. Drawing upon a wealth of musical experiences that includes conservatory training in his native Cuba and countless appearances on festival stages throughout the world, Rubalcaba here makes music of intense beauty that knows no earthly constraints in its desire to reach a diversity of people. The fifteen tracks on FÉ … Faith clearly demonstrate Rubalcaba’s musical process, one in which the simple and the intricate are of equivalent importance to the deliverance of his message. The opening “Derivado 1” serves as a stirring ambient prelude to the music that follows, revealing the pianist’s vibrant sound within a terse improvisation stemming from a fragment of the composition that follows – his “Maferefun Iya Lodde Me.” On the Lucumi language titled song (praise be to the orisha Ochun) the pianist thoughtfully develops the lyrical rhythmiccadence of the sanctified three bata drum ensemble that is at the center of the sacred music of the Cuban Santeria religion. The spiritual character of thepiece is evident in the meditative mood that remains constant throughout its harmonic evolution. Rubalcaba pays homage to John Coltrane with his bright “Improvisation 2 (based on Coltrane).” Utilizing the chord changes of tenor master’s “Giant Steps” as a starting point, he runs through a gamut of rhythmic, harmonic and melodic variations that demonstrate his virtuoso technique while revealing a perceptive insight into the expansive nature of the oft-celebrated song, allowing him to summon myriad emotions from its familiar notes. “Derivado 2” is a second, longer sound piece derived from a reharmonized fragment of “Maferefun Iya Lodde Me.” Rubalcaba’s intensely controlled sense of touch and his masterful command of the piano’s pedals are on full display here as he utilizes silence, space and overtones to create an otherworldly atmosphere. Rubalcaba pays tribute to mentor Dizzy Gillespie on “Con Alma 1,” the first of two readings of the trumpet master’s classic song that the pianist first played as a duo with its composer in concert in Cuba in 1985. Opening with ominously dark rhythmic chords in the piano’s lower register, he promptly moves to instrument’s middle to thoughtfully investigate the familiar melody, in accordance with its title’s English meaning, “with soul.” “Preludio Corto # 2 (Tu amor era Falso)” by the 20th Century Cuban composer Alejandro Garcia Carturla, hearkens back to Rubalcaba’s early conservatory training. Carturla, considered to be (along with and his contemporary Amadeo Roldán) one of the progenitors of modern Cuban symphonic music, eschewed the division between art music and popular music and often utilized indigenous AfroCuban rhythms in his pieces, thus making him an important lasting influence on Rubalcaba, who performs his predecessor’s progressive composition with appropriately reverent modernity. Rubalcaba calls Miles Davis and Bill Evans’ “Blue In Green” simply “an amazing piece of music.” On the first of two interpretations of the masterpiece, the pianist mines the melodicism of its modal structure to articulate a variety of moods, from pensive to lively, as he modulates his touch and tempo. “Oro” by Rubalcaba is one of the date’s brightest highlights. Like “Maferefun Iya Lodde Me” it is inspired by the character of Santeria music and the rhythmic complexity of the bata drum ensemble. Here the pianist utilizes complex counterpoint as a principal aspect of the piece, in which the carefully designed phrases based upon the familiar melodic line that is initially played, are through composed (not improvised), in a manner that brings together both his classical training and native Cuban musical heritage. The date’s centerpiece is a triptych of sorts; a sequence of three pieces dedicated to each to Rubalcaba’s two sons and one daughter . The opening “Joan” — the date’s longest piece — begins with a simple childlike melody that flows beautifully through a panoply of approaches, at times recalling both BillieHoliday and Bach, with compelling pianistics that interpolate the history of jazz piano. Composed for Rubalcaba’s one son, “Joao” is lyrical outing unexpected stop time pauses, at once jovial and suspenseful. The pianist’s consummate skill at resolving complementary-opposing right and left hand lines is heard to good effect on this familial dedication that at times recalls the Great American Songbook work of Gershwin and Porter. “Yolanda Anas” begins with a simple melodic line akin to a nursery rhyme that mimics a child’s dance, and then develops a more serious tone, seamlessly moving between the two moods in a multidimensional manner. Reprises of the three earlier played jazz classics follow. On “Blue In Green 2” Rubalcaba delves even deeper into the immortal Davis/Evans, gradually moving from the spacious brooding atmosphere of his earlier interpretation to a livelier, more fluidarticulation of the melancholic theme. “Con Alma 3” opens with a shorter, but similarly dark (yet distinctively different) rhythmic introduction, before the statement of the melodic themethat the pianist has played countless times over the past twenty five years. His thorough familiarity with the Gillespie classic allows him the freedom to take the piece to any place he desires without ever losing sight of its beautiful essence, including in this case, an a surprisingly abrupt finish. Rubalcaba attacks “Improvisation 1 (based on Coltrane)” with a verbose Tatumesque virtuosity, spilling out notes all over the “Giant Steps” chordds with rapid rhythmic ferocity and then concluding the piece with a striding piano that reflects the influence of Coltrane pianist McCoy Tyner. The closing “Derivado 3” is perhaps the most melodious of the three variations of a theme from “Maferefun Iya Lodde Me.” Here Rubalcaba’s romanticism comes to the fore in a fitting finish to an album filled with beauty. Gonzalo Rubalcaba states with understandable optimism and pride, “It is my vision that 5Passion will one day be known as a record label affording artists a friendly environment in which to record their visionary music, without compromising their integrity for commercial consideration and constraining them from realizing their potential in all aspects of their professional lives.” With the label’s inaugural release of his FÉ … Faith it has already accomplished just that and with it a prophesy of more great things to come.

Nostalghia

Cool for Chaos

Black Colt

Cloud-Water Slang

Steve Baughman

The Power of Claw: A Complete Course in Clawhammer Guitar (DVD)

Moods: Classical Avant-Garde

The Paranoid Critical Revolution

Euphobia

Moods: Experimental

Avant Garde: Avant-Americana

Avant Garde: Psychedelia

Gonzalo Rubalcaba

Fé

Moods: Modern Composition

Peter Vinograde

Recital

Lindsay Kaplan

Map of Chimes

Avant Garde: Sound Art

Trey Gunn, Henry Kaiser & Morgan Agren

Invisible Rays

Avant Garde: Free Improvisation

Dom Minasi

Looking Out Looking in

Avant Garde: Free Improvisation

Don Cherry

Live at Cafe Montmartre, 1966 Volume Two

Avant Garde: Process-Generated

Trey Gunn

Invisible Rays

Stan Ridgway and Pietra Wexstun

CD Soundtrack for Mark Ryden's "The Blood Show"

Moods: Electronic Avant-Garde

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08 Feb ' 19:40

Ed Harrison

Neotokyo

Organic, emotive electronica, drawing from acoustic and orchestral elements, live and electronic beats, and a rich sense of mood and atmosphere.

Neotokyo is the debut CD release of Australian artist Ed Harrison. This instrumental release draws from a wide array of influences, from post-rock to classic minimalism to IDM and atmospheric electronica. There is a focus on mood and atmosphere, with the intention of drawing the listener into a unique and cohesive world. 'Neotokyo' is a source mod (computer game) developed by a small group of dedicated artists over a period of around five years. This two-CD set, containing around two and a half hours of music, is a musical interpretation of the game world and setting, and has been authored to provide a musical context for the game and a rich and cathartic listening experience as an album. For information about upcoming releases, including a Neotokyo rework\remaster, please follow the blog at ghostiq.com .

Moods: Modern Composition

Mohsen Namjoo

Alaki

Moods: Avant-Americana

Carrie Rose

Books of Flutes

Allison Miller

BOOM TIC BOOM

Roy Poulsen Chevillon

Une Certaine Forme de Politesse

Frederika Krier

Devoted

Avant Garde: Experimental

One7 [from One13], One8 / anonymous

Albert Ayler

Holy Ghost: Rare and Unissued Recordings (1962-70)

Suzanne Ciani

Silver Ship

Moods: Process-Generated

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08 Feb ' 13:30

Love In You

David Stutz

Iolet :: Music from the World of Anathem

Ambient, experimental vocal music written to accompany Neal Stephenson\'s novel Anathem. Proceeds from this CD are being donated to the Long Now Foundation.

\"Spooky, wonderful music\" ~ Corey Doctorow, [BoingBoing.net] \"It sounds like the neo-Gregorian chanting that accompanies ritual baby sacrifice in horror films.” ~ Steven Levy [in Wired] \"Some weird shit\" ~ Al Billings, [In Pursuit of Mysteries, arcanology.com] \"Suitably ethereal\" ~ Publishers Weekly Background for \"IOLET::Music from the World of Anathem\": The music on this disc was composed to accompany Neal Stephenson\'s novel Anathem. After hearing a short verbal description of the core ideas for the book during a dinnertime conversation in 2006, I was completely drawn into the world that Neal was creating. I began to draft musical ideas to match some of the imaginary musical traditions that he had described, and Neal supplied draft copies of his book to me as it took shape. The experimental vocal music that you hear on this disc is the result. It was clear from day one that the characters in the book possess not one, but many musical traditions, each forged over thousands of years of isolation, and each strangely similar to, yet exotically removed from, the monastic traditions of Earth. As an active performer of Earthly vocal music, as a lapsed musicologist, and especially as a composer, I was excited by the possibilities opened up by Neal\'s imagination: somber music to celebrate the mysteries of philosophy and mathematics within the soaring stone walls of a cloister; simple songs to ease the mathematical drudgery of verifying theories; inward meditations upon truth and beauty; and finally, fiendishly difficult musical games designed to hone intellectual prowess. All profits from the sale of this record will be donated to the Long Now Foundation, whose project ideas had a seminal role in the genesis of Anathem. -- David Stutz Some reviews for \"IOLET::Music from the World of Anathem\": \"If Anathem often reads like a delirious mashup of Douglas Hofstadter’s Gödel, Escher, Bach, Umberto Eco’s The Name of the Rose, and Isaac Asimov’s Foundation, then the music (composed by David Stutz), doesn’t so much underscore Hofstadter’s Bach as it reaches further back, to the origins of polyphony, when the magic of two near but separate voices — separate just to the point of beating — was, like any sufficiently advanced science, still something close to magic [...] The sound is quite pure, with rarified tonal color, and compositional attention to very small shifts in notes. But the point of the composition isn’t so much the notes themselves, but how they overlap when sung by multiple voices.\" ~ disquiet.com \"Iolet\" offers ostensible hymns of the avout. These range from the hesitant, John Cage-like \"Approximating Pi\" and the digeridooish grumbling of \"Quantum Spin Network\" through the beautifully ordered near-dissonances of \"Cellular Automata\" and the dramatic harmonies of \"Deriving the Quadratic Equation.\" ~ Seattle Times

Steve Baughman

The Power of Claw: A Complete Course in Clawhammer Guitar (DVD)

Avant Garde: Avant-Americana

Danny Sher

Loose Nukes

Moods: Electro-Acoustic

Rashomon

The Ruined Map (Film Music Volume 1)

Avant Garde: Psychedelia

Avant Garde: Avant-Americana

Rampersaud Shaw Neal Martin Krakowiak

Halcyon Science 130410

Avant Garde: Free Improvisation

George Schuller's Circle Wide

Like Before, Somewhat After

Avant Garde: Modern Composition

Avant Garde: Avant-Americana

Trey Gunn, Henry Kaiser & Morgan Agren

Avant Garde: Free Improvisation

Mindfold Express

Drawbacks & Benefits

Avant Garde: Experimental

Matthew Schoening

Elements

Avant Garde: Sound Art

Albert Ayler, Don Cherry,

New York Eye and Ear Control

John Cage

Sculptures Musicales, Fifty-Five, Eighty-Three, Eighty / Christina Fong, Prague Winds, Karen Krummel, Michael Crawford, Glenn Freeman, Chance Operations Collective of Kalamazoo

Avant Garde: Sound Sculpture

Don Cherry

Live at Cafe Montmartre, 1966 Volume Two

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08 Feb ' 08:24

Phil Randoy

Accept

Anticipate the best and it will happen, elevating consciousness

Pj's Loveland Band

Love In You (feat. Eve Rojas)

A mixture of old and new classics. R&B/Soul/Funk

Avant Garde: Mixed Media

Phil Randoy

Mirror

The realization of inner self

Golia Turetzky Phillips Leandre Mezzacappa

The Ethnic Project

Sunshone Still

ThewaytheworldDies

Sepia-toned melodies for tear-stained eyes

Avant Garde: Avant-Americana

Various Artists

Elevator Girls In Bondage Original Soundtrack

"...A popular party record"

There's SOMETHING for EVERYONE on this monstrous compilation

This is an assortment of music spanning the course of 15 odd years. I don't necessarily subscribe to all ideologies contained within, as we all grow. To see other works, search: "payday monsanto" and visit the website

Mohsen Namjoo

Alaki

Henry Flynt

Glissando No. 1

Albert Marcoeur

Armes & Cycles

Richard Bliwas

Rising Rose Bakery

Moods: Avant-Americana

Moods: Free Improvisation

Moods: Avant-Americana

Moods: Psychedelia

Moods: Sound Art

Seda Röder

Listening to Istanbul

Moods: Classical Avant-Garde

Various Artists

Whale Music Remixed

Peter Vinograde

Recital

Moods: Classical Avant-Garde

The Paranoid Critical Revolution

Euphobia

Moods: Experimental

Trey Gunn

Jefferson Pitcher

Now the Deer

Moods: Classical Avant-Garde

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08 Feb ' 03:12

Betty and the Boy

Good Luck

Avant Garde: Classical Avant-Garde

Moods: Computer Music

Moods: Experimental

Moods: Modern Composition

Nostalghia

Cool for Chaos

David Stutz

Iolet :: Music from the World of Anathem

Ran Blake and Dominique Eade

Whirlpool

Avant Garde: Structured Improvisation

Carrie Rose

Books of Flutes

Avant Garde: Classical Avant-Garde

Dom Minasi

Looking Out Looking in

Richard Désilets

Passages

Matthew Schoening

Elements

Avant Garde: Electro-Acoustic

Celui Ou Y'a Joseph

Thurston Moore

Suicide Notes For Acoustic Guitar

Avant Garde: Noise

Albert Ayler

Holy Ghost: Rare and Unissued Recordings (1962-70)

Glenn Branca

Symphony No. 7

Avant Garde: Classical Avant-Garde

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07 Feb ' 21:50

Alaki is a live recording from a performance at the Stanford University in February 2011. Mohsen Namjoo and his ensemble presented a single performance of previously unrecorded material compiled by Mohsen Namjoo.

Alaki is a live recording of a performance at Stanford University in February 2011. Special Thanks to Mammad Zadeh for his input and collaboration in recording and post-production. Special Thanks to Navid for album cover graphic design. The Mohsen Namjoo Ensemble: Ali Bazyar - Percussion, Mark Deutsch - Bazantar, Guitar, Keyavash Nourai - Kamancheh, Cello, Siamack Sanaie - Acoustic Guitar, Rhythm Guidar, Serwah Tabbak - Backing Vocal, Tannaz Jafarian - Backing Vocal, Dina Zarif - Backing Vocal, Shadi Yousefian - Backing Vocal, Mammad Zadeh - Udu, Setar, Daf, Bass, Mohsen Namjoo - Vocals, Setar, Acoustic Guitar A Payam Entertainment Production (c) 2011 Composition & Arrangement - Mohsen Namjoo Live Recording, Sound Engineering & Arrangement - Mammad Zadeh Live Recording Assistant - naser Manesh Produced by: Babak Payami, Mohsen Namjoo, Mammad Zadeh This compilation which is the result of several years of development from my archives, would not have come to fruition without the technical and artistic collaboration of my dear friend Mammad Zadeh. I sincerely hope that this acknowledgement can do justice to the depth of gratitude I hold for this collaboration. Mohsen Namjoo

Moods: Avant-Americana

Black Colt

Cloud-Water Slang

Henry Flynt

Glissando No. 1

Various Artists

Whale Music Remixed

Moods: Electro-Acoustic

Moods: Free Improvisation

Frederika Krier

Devoted

Rampersaud Shaw Neal Martin Krakowiak

Halcyon Science 130410

Danny Sher

Loose Nukes

Moods: Free Improvisation

George Schuller's Circle Wide

Like Before, Somewhat After

Moods: Psychedelia

Moods: Free Improvisation

Stan Ridgway and Pietra Wexstun

CD Soundtrack for Mark Ryden's "The Blood Show"

Avant Garde: Electronic Avant-Garde

John Cage, Victoria Jordanova - harps, Pamela Z - voices

Postcard from Heaven

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07 Feb ' 17:33

The only Clawhammer Guitar instructional DVD on the planet. Total immersion, beginning to advanced, in 26 lessons.

This is the first and only Clawhammer Guitar instructional DVD ever made. In 26 detailed lessons Steve Baughman teaches you how to take the traditional clawhammer style of old time banjo and make it work powerfully on the guitar as a folk, rock, funk and blues technique. In thie complete immersion course, we begin with the basic pattern and proceed to learn advanced "Pyro-Picking" techniques like Clawmonics, Slapping, Tapping, Funk and more. Along the way you will learn six great tunes. Tablature is provided for these six tunes. Clawhammer is a powerful technique and not overly difficult. If you put in the time, the rewards are great. And it works on electric guitar too! Steve has taught and performed for 30 years throughtout Asia, Europe, Canads and the United States. He makes the material clear and accessible and injects humor along the way to make the learning process a pleasant one. Check Steve's clawhammer guitar demos out on YouTube to see Clawhammer in action. NOTE: This DVD is not for beginning guitar players. You will benefit most if you can change chords easily and have some basic rhythmic skills on the guitar.

Ran Blake and Dominique Eade

Whirlpool

Avant Garde: Structured Improvisation

Aaron Strumpel

Elephants

Gonzalo Rubalcaba

Fé

Avant Garde: Modern Composition

Allison Miller

BOOM TIC BOOM

Richard Bliwas

Rising Rose Bakery

Avant Garde: Psychedelia

Lindsay Kaplan

Map of Chimes

Avant Garde: Sound Art

Matthew Loiacono

Kentucky

Avant Garde: Avant-Americana

John Williams - Michele Zukovsky

Clarinet Concerto - John Williams Conducting

Suzanne Ciani

Silver Ship

Avant Garde: Process-Generated

Albert Ayler

Holy Ghost: Rare and Unissued Recordings (1962-70)

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07 Feb ' 13:03

Jeremy Wells

Mothership

Avant Garde: Computer Music

Julian Winter

Slow Movement

Julian's slow an cinematic debut EP eases the senses while taking you back to a time when things were easier and the world was a cozy and loving place.

Steve Gadlin

I Want to Draw a Cat for You

Blewt! creates comedy to delight and confuse.

Avant Garde: Experimental

Moon State

1:18

"Moon State" is a new band from Brooklyn singer-songwriter Dan Zweben, an artist whose songs have been featured all over TV including shows such as Smallville, Ghost Whisperer and Obama's Super Bowl commercial. MS records are recorded on GarageBand.

Avant Garde: Experimental

Saint Alamillo

The Mule Wagon

Monsanto will be demoralized and overcome by adversity! Sound and words by SAINT ALAMILLO.

Rustik Spirit

Urban Dreams

The sound of Rustik Spirit is born from the blending of experimental, alternative, urban, rap and indie styles, resulting in unique vibes, musical layers and whispery vocals. Rhythmic messages vividly express the darker aspects of life, touch on love, patriotism and even the joy of a cup of java.

Avant Garde: Experimental

Golia Turetzky Phillips Leandre Mezzacappa

The Ethnic Project

Nostalghia

Cool for Chaos

Payday Monanto

The Foundation: 15 Years in the Making

Moods: Free Improvisation

David Stutz

Iolet :: Music from the World of Anathem

Steve Baughman

The Power of Claw: A Complete Course in Clawhammer Guitar (DVD)

Roy Poulsen Chevillon

Une Certaine Forme de Politesse

Frederika Krier

Devoted

Avant Garde: Experimental

Ghost to Falco

Exotic Believers

Avant Garde: Avant-Americana

Mindfold Express

Drawbacks & Benefits

Avant Garde: Experimental

Carrie Rose

Books of Flutes

Jefferson Pitcher

Now the Deer

John Cage

Two3, Inlets, Two4 / Tamami Tono, Glenn Freeman, Christina Fong

Moods: Microtonal

Don Cherry

Live at Cafe Montmartre, 1966 Volume Two

Glenn Branca

The Ascension: The Sequel

Encounters VI: Concertino for Roto Tom & Percussion Quartet

Southwest Chamber Music

Classical: Contemporary

Phantasie

Esteban Colucci

The Tangled Canopy

Peter Adams

Rock: Post-Rock/Experimental

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07 Feb ' 02:05

Baobab

Baobab

Aych

As the Crow Flies

Audrey Houssard

Onde De Choc

Composed with pure digital midi sounds and a touch of natural live sounds this album leads to a new perspective of how we listen to the music. It aims to connect people with ‘sound’ allowing them to understand each patterns of it.

Various Artists

Elevator Girls In Bondage Original Soundtrack

"...A popular party record"

"Glissando No. 1" is unlike any other Flynt release—-an amazing response to C. C. Hennix's "The Electric Harpsichord" (recently released). Both brilliant obscurities are successful attempts to develop a truly hallucinogenic music.

The fifth Henry Flynt CD on Recorded is a masterpiece and quite different from any of his previous releases. The first of two releases documenting the ILLUMINATORY SOUND ENVIRONMENTS project, Glissando is an amazing response to C. C. Hennix's "The Electric Harpsichord" (recently released after decades of obscurity on Die Schatel). Both "Glissando" and "Harpsichord" are attempts to develop a truly hallucinogenic music, driven by the unique sensibilities of philosophers Flynt and Hennix. This is the secret history of experimental music of the 70's, revealing sounds and sensibilities that go beyond minimalism or trance music into something far more serious. A bonus track on the disk, "Stereo Piano" is a beautiful collaboration between Flynt and Hennix, a standout of tapestry-like-minimalism.

Moods: Modern Composition

Motian Sickness - The Music of Paul Motian

For the Love of Sarah

Moods: Modern Composition

Mohsen Namjoo

Alaki

Richard Bliwas

Rising Rose Bakery

Avant Garde: Psychedelia

Allison Miller

BOOM TIC BOOM

Avant Garde: Free Improvisation

George Schuller's Circle Wide

Like Before, Somewhat After

Avant Garde: Modern Composition

Various Artists

Whale Music Remixed

Disparition

Neukrk

Avant Garde: Psychedelia

Danny Sher

Loose Nukes

Avant Garde: Free Improvisation

Albert Ayler

Holy Ghost: Rare and Unissued Recordings (1962-70)

Asylum Street Spankers

What? And Give Up Show Biz?

Albert Ayler, Don Cherry,

New York Eye and Ear Control

Suzanne Ciani

Silver Ship

Avant Garde: Process-Generated

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